Irreducible
What I intend to study throughout the duration of this course is the trajectory, progress, “tradition” of poetry film through the last century and the status of the genre today—a somewhat challenging order, since resources (read theory) on the (fairly new) genre are scarce or hard to find. We will be looking at, however, the book Eyes Upside Down: Visionary Filmmakers & the Heritage of Emerson by P. Adams Sitney, recommended by my friend Dustin Zemel—and I will be posting responses to it and other articles and texts that we discover along the way. Please feel free to recommend any other pertinent or particularly instructive texts you find—particularly recent articles and particularly those that refer to the genre of poetry-film itself with a critical eye.
As I said in my first post on The Cabinet of Dr. Caligari, although I will try to at least acknowledge the context of the films in the course of my study—and the value of the films as artworks on a whole—I imagine I will need to ultimately observe and note this context (and merit) only in passing, in order to remain focused on the purpose of this course.
The forum on Moving Poems' website seems to do a pretty good job of keeping up-to-date on the latest poetry-film contests. Their links page also contains a far more inclusive list of websites, analysis, online periodicals, etc, than what I am providing here. The following are sources of contemporary and archival poetry films, contests, and information on the subject that I have found to be of particular interest.
The forum on Moving Poems' website seems to do a pretty good job of keeping up-to-date on the latest poetry-film contests. Their links page also contains a far more inclusive list of websites, analysis, online periodicals, etc, than what I am providing here. The following are sources of contemporary and archival poetry films, contests, and information on the subject that I have found to be of particular interest.
• UBUWEB
Here is an extremely abbreviated and also weirdly inclusive
list of some of the poetry-filmmakers we hope to look at throughout the course
of the film—and just, generally, who we like to look at. Again, please feel free to recommend:
•
Catherine
Owen
•
Forrest
Gander
•
Joshua Marie Wilkenson
•
Rusty Morrison
•
Maya Deren
•
Vito Acconci
•
Matthey Barney
•
Jean-Luc Godard
Thanks to the artists and readers involved.
—Laura
—Laura
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